Displaying items by tag: Stuart Galbraith IV

Morning, folks!

I’ve got some good Lionsgate news for you today. But first as always, we have more new disc reviews for you to enjoy, including…

Stephen’s look at Albert Pyun’s The Sword and the Sorcerer (1982) and John Woo’s Hard Boiled (1992) in 4K Ultra HD from Imprint, and Damiano Damiani’s Confessions of a Police Captain (1971) on Blu-ray from Radiance.

Tim’s review of James Melkonian’s The Stoned Age (1994) on Blu-ray from the Vestron Video Collector’s Series via Lionsgate Limited, Cesare Canevari’s A Hyena in the Safe (1968) on Blu-ray from Celluloid Dreams, and Norman Jewison’s In the Heat of the Night (1967) in 4K from Imprint.

Todd’s thoughts on Alex Russell’s Lurker (2025) on Blu-ray from Mubi, Urška Djukić’s Little Trouble Girls (2025) on Blu-ray from Kino Lorber, and Zak Hilditch’s We Bury the Dead (2024) on Blu-ray from Vertical Entertainment, Kansas Bowling’s Cuddly Toys (2022) on Blu-ray from Vinegar Syndrome, and Vinegar Syndrome Film Archive Presents: Reviver 2 on Blu-ray.

And finally, Stuart’s look at Ralph Thomas’ Some Girls Do (1969) on Blu-ray from Imprint and Louis Soulanes, Léonard Keigel, Robert Enrico, and Serge Moati’s Ténèbres Françaises (1970-77) on Blu-ray from Vinegar Syndrome.

More reviews are on the way all this week, so be sure to keep your eyes peeled for them!

Now then… as promised, we have the complete list of 245 titles that are hitting Movies Anywhere tomorrow, on Tuesday (June 9)!

The thing to know is that if you’ve redeemed codes for any of these films previously from Lionsgate 4K or Blu-ray titles, they should start appearing in your MA library shortly.

And the way it’s going to work thereafter, is that every month new titles will follow (including a 100 more titles in July, which we’ll share with you next month). [Read on here...]

We’ve got a bunch of new disc reviews for you to check out today, including…

Tim’s take on Charlie Chaplin’s A Woman of Paris (1923) on Blu-ray from the Criterion Collection, Taylor Wong’s Buddha’s Palm (1982) on Blu-ray from Arrow’s Shawscope: Volume Three box, and J. Lee Thompson’s 10 to Midnight (1983) in 4K Ultra HD from Kino Lorber Studio Classics.

Stephen’s thoughts on Robert Wise’s The Haunting (1963) in 4K Ultra HD from Scream Factory, John “Bud” Cardos’ Mutant (1984) in 4K Ultra HD from Vinegar Syndrome, and Clive Barker’s Nightbreed (1990) in 4K from Arrow Video.

Todd’s review of Spike Lee’s Highest 2 Lowest (2025) on Blu-ray from A24, Timur Bekmambetov’s Mercy (2026) on Blu-ray from Amazon MGM, and Tony Scott’s The Fan (1996) and David Greene’s Hard Country (1981) on Blu-ray from Imprint Films.

Stuart’s look at Hobart Henley’s Night World (1932), Anthony Mann’s Bend of the River (1952), Allen Smithee’s Death of a Gunfighter (1969 – actually directed by Robert Totten and Don Siegel), and Christian-Jaque’s The Second Twin (1966) all on Blu-ray from Kino Lorber Studio Classics.

And Dennis’ thoughts on William Keighley’s The Man Who Came to Dinner (1941) on Blu-ray from the Warner Archive Collection.

Also today, be sure to check out my recent special feature articles on Apple TV’s For All Mankind and Star City series, as well as Warner’s remastering the Wachowskis’ Speed Racer (2008) in 4K Ultra HD! [Read on here...]

Good afternoon, disc fans!

After yesterday’s big release news of Kill Bill: The Whole Bloody Affair in 4K from Lionsgate, it’s time to start catching up on news that dropped while we were grappling with our AI bot-scraping issue.

To start with today, we’ve got a number of new disc reviews to share with you, and—on that very note—we also have a nice surprise announcement as well…

Our old friend Todd Doogan is returning to The Digital Bits as a review contributor!

Longtime Bits readers will know that Doogan was a founding member of The Bits team, not only reviewing DVD and Blu-ray discs here for many years, but also writing his own Doogan’s Views and Gripe Soda columns here at the site.

Since we have so many great disc releases that need covering, Doogan has offered to revive Doogan’s Views as a new “quick” review format—these will feature the Doogan’s Views banner at the top of the review. And while the reviews won’t be as detailed as our regular review work, they’ll include enough information to highlight discs worth your attention and help you make buying decisions. These are the kinds of titles that would otherwise fall through the cracks, but that deserve some love from fans—indie and boutique deep cuts, genre oddballs, and more.

Todd’s first new Doogan’s Views reviews this afternoon include Chris Stuckmann’s Shelby Oaks (2025) on Blu-ray from Decal Releasing and Johannes Roberts’ Primate (2025) on Blu-ray from Paramount via Alliance.

We’re all thrilled here to have Todd on The Bits team again, and I’m personally very happy to have my friend calling videodisc balls and strikes once more as only he can.

So welcome back, Todd, and watch for more Doogan’s Views reviews in the days and weeks ahead!

Meanwhile today, we have a bunch of new disc reviews from the rest of The Bits review team too, including... [Read on here...]

As always, we start the week with more new disc reviews for you to enjoy, including…

Stuart’s look at Cedric Gibbons’ Tarzan and his Mate (1934) and Boris Ingster’s Stranger on the Third Floor (1940) both on Blu-ray from the Warner Archive Collection.

And Dennis’ look at Herbert Ross’ True Colors (1991) on Blu-ray from Imprint and Via Vision.

Watch for more reviews here at the site all this week.

In announcement news today, our friends at Shout! and Scream Factory have revealed their July slate of Blu-ray and 4K Ultra HD titles, which is set to include Ringo Lam’s Full Contact (1992) in 4K on 7/14 as part of the HK Cinema Classics line, followed by Albert Pyun’s The Sword and the Sorcerer (1982) in 4K Steelbook, Jonathan Kaplan’s Unlawful Entry (1992) in 4K, Wes Craven’s The People Under the Stairs (1991) in 4K Steelbook, John Carpenter’s Vampires (1998) in 4K Steelbook, and Gary Ross’ Pleasantville (1998) 4K as a Shout Select title on 7/21, and finally David Ayer’s End of Watch (2012) 4K as another Shout Select title on 7/28.

Also, Shout and GKids are releasing Kenichiro Akimoto’s animated All You Need Is Kill (2025) on Blu-ray on 7/7, followed by Dan da Dan: Season Two (2025) on Blu-ray on 7/14, and Takeshi Koike’s Lupin the IIIrd: The Movie – The Immortal Bloodline (2025) on Blu-ray on 7/28. [Read on here...]

We’ve got a few more reviews for you today, and a few more great bits of announcement news to round out the week here…

First, Stuart has turned in his thoughts on Howard Zieff’s House Calls (1978) and Gilles Grangier’s Maigret Sees Red (1963) on Blu-ray from Kino Lorber Studio Classics.

And Dennis has offered his take on John Binder’s UFOria (1985), also on Blu-ray from KLSC.

Now then, here’s something fun: Our friends at Vinegar Syndrome have revealed they’ve licensed Joe Dante’s Explorers (1985) from Paramount and they’ve about to release a new 4K Ultra HD edition! Limited to 8,000 units, it will ship following their next Halfway to Black Friday sale that runs from May 22nd to 25th! And in addition to legacy extras, you’ll get a 40-page book and a new 77-minute documentary on the making of the film by Elijah Drenner! [Read on here...]

We’ve got more new disc reviews for you all to enjoy today, including…

Stephen’s take on Ema Tammi’s Five Nights at Freddy’s 2 (2025) in 4K Ultra HD from Universal and also Bill Plympton’s Hair High (2004) on Blu-ray from our friends at Deaf Crocodile Films.

Tim’s review of David Lynch’s Twin Peaks: Fire Walk with Me (1992) in 4K from Criterion.

Dennis’ look at Terry Jones’ Monty Python’s Life of Brian (1979) on Blu-ray from Criterion, as well as Martin Ritt’s Cross Creek (1983) on Blu-ray from Imprint Films.

And finally, Stuart’s thoughts on Raoul Walsh’s Silver River (1948) on Blu-ray from the Warner Archive Collection.

More reviews are forthcoming all this week, so be sure to keep checking back for them!

Now then… in announcement news today, Kino Lorber Studio Classics has revealed that Howard Hawks’ El Dorado (1966) is “coming soon” to 4K Ultra HD. That’s a Paramount Western featuring John Wayne, Robert Mitchum, and James Caan, featuring a screenplay co-written by Leigh Brackett (The Empire Strikes Back) and music by Nelson Riddle (the 1966 Batman). [Read on here...]

All right, we have a few more new disc reviews to share with you this morning, including…

Tim’s thoughts on Guy Magar’s Lookin’ Italian (1994) on Blu-ray from Severin Films.

Dennis’ take on William Richert’s A Night in the Life of Jimmy Reardon (1988) on Blu-ray from Kino Lorber Studio Classics and Shane Meadows’ TwentyFourSeven (1997) on Blu-ray from Imprint Films.

Stephen’s look at Richard Attenborough’s A Bridge Too Far (1977) in Blu-ray from Kino Lorber Studio Classics, as well as Ivan Passer’s Cutter’s Way (1981) in 4K Ultra HD from Radiance Films.

And Stuart’s review of the Warner Archive’s Fred Astaire Collection on Blu-ray, which includes Easter Parade (1948), The Band Wagon (1953), Silk Stockings (1957), and Finian’s Rainbow (1968). Stuart has also reviewed Peter Yates’ Summer Holiday (1963) on Blu-ray from Indicator’s Cliff in Color! box set.

Now then, the big news we want to share with you today is that pre-orders have finally begin for Disney’s Blu-ray and 4K Ultra HD release of James Cameron’s Avatar: Fire and Ash (2026), all of which are set to street on 5/19. [Read on here...]

Boy, I’ve been waiting for this today for years now—one of my favorite titles is finally official, as in the studio has just issued their press release. And there are a bunch of other great title announcements today as well.

But first as always, a few more new disc reviews…

Stuart and Dennis have turned in their thoughts on Kino Lorber Studio Classics’ Peter Sellers: Early Classics Blu-ray box set, which includes Man in a Cocked Hat (1959), I’m All Right Jack (1959), Two-Way Stretch (1960), Heavens Above! (1963), and The Wrong Arm of the Law (1963).

And Tim has reviewed Chuck Russell’s The Mask (1994) in 4K Ultra HD from Arrow Video.

More reviews are forthcoming all this week, so be sure to check back for them!

Also today, our own Russell Hammond has just posted the latest update of the Release Dates & Artwork section featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-order links. As The Bits is an Amazon Affiliate, whenever you order literally anything from Amazon after clicking through one of our links, you’re helping to support our work here at The Bits and we really do appreciate it.

And of course, the best way to support what we do by far is to subscribe to our Digital Bits Patreon where we talk about lots of things—including upcoming 4K titles—before we can post all the details here on the website. Monthly subscriptions start at just $6 and you can get discounts on full-year subscriptions too. So thank you, sincerely, for helping us to keep The Digital Bits going as we advocate for physical media and the issues that matter to you! [Read on here...]

Greetings, Bits readers—I hope this finds you all well!

You may have noticed that there have been very few updates here on the site this week, and also that we’ve had a lot of downtime in which the site wasn’t working or was slow to load.

There’s a reason for that, which is that we’ve been the target of relentless scaping by AI companies trying to train their LLMs. We’ve taken steps to prevent it in the past, but they don’t seem to care that when they scrape us, it causes significant disruptions for both us and you as readers. So it looks like we’re going to have to take further steps to prevent this going forward.

In the meantime, we’ve got a lot of ground to cover today, as I haven’t been able to post a news update since Monday due to these disruptions.

We’ll start with disc reviews! We’ve had a bunch for you this week, including…

My looks at Jeannot Szwarc’s Somewhere in Time (1980) in 4K from Kino Lorber Studio Classics, David Lynch’s The Straight Story (1999) in 4K from StudioCanal (a joint review with former Bits staffer Dan Kelly), Michael Crichton’s Westworld (1973) in 4K from Arrow Video, and Ted Lasso: The Richmond Way (2020-23) in 4K from Warner Bros. Home Entertainment.

Tim’s review of Lam Nai-Choi’s The Cat (1991) on Blu-ray from 88 Films.

Dennis’ take on Claude Leloch’s A Man and a Woman (1966) on Blu-ray from the Criterion Collection.

Stuart’s thoughts on Jerzy Skolimowski’s The Lightship (1985) on Blu-ray from Imprint Films and Jeffrey Dell and Roy Boulting’s Man in a Cocked Hat (1959) on Blu-ray from Kino Lorber Studio Classics.

And finally, Stephen’s look at Dario Argento’s The Phantom of the Opera (1998) and Emmett Alston’s Demonwarp (1988) in 4K from Vinegar Syndrome, and Ti West’s The Innkeepers (2011) on Blu-ray from Umbrella and in 4K Ultra HD from Second Sight. Whew!

Now, let’s get to the news that’s broken since our announcement of James Cameron’s Avatar: Fire and Ash on Blu-ray and 4K on Monday… [Read on here...]

As we so often do, we’re starting the new week here at The Bits with more new disc reviews, including…

Tim’s look at Riccardo Freda’s The Ghost (1963) in 4K Ultra HD from Severin Films, as well as Louis Malle’s The Fire Within (1963) on Blu-ray from Umbrella Entertainment.

Stephen’s thoughts on Can Evrenol’s Baskin (2015) in 4K Ultra HD, also from Severin.

Dennis’ take on Kenneth Branagh’s Dead Again (1991) on Blu-ray from Kino Lorber Studio Classics, Bruce Robinson’s Withnail and I (1987) on Blu-ray from Imprint Films, and Olaf Ittenbach’s Garden of Love (2003) on Blu-ray from Unearthed Films.

And finally, Stuart’s reviews of George Marshall’s Hold That Blonde! (1945) on Blu-ray from Kino Lorber Studio Classics, as well as Warner Archive’s Robert Taylor Collection on Blu-ray, which includes Devil’s Doorway (1950), Westward the Women (1951), Ivanhoe (1952), and The Last Hunt (1956).

Watch for more new disc reviews here all this week!

Now then, last night was the Academy Awards, and I think it’s safe to say that there weren’t too many surprises in terms of winners and losers. I was certainly glad to see Autumn Durald Arkapaw become the first woman to win Best Cinematography for Sinners, and to see Michael B. Jordan to win Best Actor for the same film.

While I’m talking Michael B. Jordan, this is a good time to mention that he was great in the very first thing I ever saw him in as well, which was NBC’s Friday Night Lights (2009-2011) TV series. The show is fantastic, and it doesn’t get nearly the love it deserves. If you haven’t seen it yet, I highly recommend it. The series brilliantly chronicles small town life in America, and it’s about a lot more than just high school football (though that part is great too). Do give it a look—I think you’ll really enjoy it. [Read on here...]