Displaying items by tag: film retrospective

“Like all great art, people take from The Exorcist what they bring to it. For some it is a spiritual affirmation. For others it is simply a scary movie. For a few, it remains too challenging to watch.” — Nat Segaloff, author of The Exorcist Legacy: 50 Years of Fear

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of The Exorcist.

Directed by William Friedkin (The French Connection, To Live and Die in L.A.) and based upon William Peter Blatty’s 1971 novel, the classic film chronicled a mother’s attempt to save her possessed daughter through an exorcism and scared millions of moviegoers in the process.

The Exorcist starred Ellen Burstyn (Alice Doesn’t Live Here Anymore), Max von Sydow (The Seventh Seal), Lee J. Cobb (On the Waterfront), Kitty Winn (The Panic in Needle Park), Jack MacGowran (The Fearless Vampire Killers), Jason Miller (The Ninth Configuration/Twinkle, Twinkle, ‘Killer’ Kane), and Linda Blair (Roller Boogie).

The film was nominated for ten Academy Awards (including Best Picture) and the winner of two (Adapted Screenplay and Sound), and for a period of time was Warner Bros.’ most successful motion picture, spawning a series of films and television series and, of course, no shortage of imitations and parodies. [Read on here...]

The Dick Van Dyke Show is simply superior television with an appeal that remains timeless.” – TV historian Herbie J Pilato

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 60th anniversary of the television broadcast premiere of The Dick Van Dyke Show, the popular situation comedy starring Dick Van Dyke (Mary Poppins, Chitty Chitty Bang Bang) and Mary Tyler Moore (The Mary Tyler Moore Show, Ordinary People) as Rob and Laura Petrie.

The award-winning series, which originally aired on CBS from 1961 through 1966, revolved around Rob and his co-workers as the writing staff of a television show and Rob’s home life with wife Laura and son Ritchie.

The series—created by Carl Reiner (2000 Years with Carl Reiner and Mel Brooks, The Jerk, All of Me) and memorably featuring Rose Marie as Sally Rogers, Morey Amsterdam as Buddy Sorrell, Larry Mathews as Ritchie, Richard Deacon as Mel Cooley, and Carl Reiner as Alan Brady—premiered 60 years ago this autumn, and for the occasion The Bits features a Q&A with television historian Herbie J Pilato who reflects on the series appeal, impact and legacy six decades after its debut. [Read on here...]

Shrek sits alongside Spider-Man, Pirates of the Caribbean and Harry Potter as one of the definitive ‘new’ franchises of the global tentpole era, while making both animated features and rom-coms ‘safe’ for male-centric protagonists and PG ratings.” – Scott Mendelson, box-office analyst

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 20th anniversary of the release of Shrek, PDI and DreamWorks Animation’s popular, award-winning animated film based upon William Steig’s picture book and featuring the voice talent of Mike Myers (Wayne’s World, Austin Powers), Eddie Murphy (Beverly Hills Cop, Coming to America) and Cameron Diaz (The Mask, There’s Something About Mary).

Shrek, directed by Andrew Adamson (The Chronicles of Narnia: The Lion, the Witch and the Wardrobe) and Vicky Jensen (Shark Tale) and also featuring the voice talent of John Lithgow (The World According to Garp, 3rd Rock from the Sun) as Lord Farquaad, was released to theaters twenty years ago this month. For the occasion The Bits features a package of statistics and box-office data that places the movie’s performance in context, along with passages from vintage film reviews, a reference/historical listing of the movie’s Digital Cinema presentations, and, finally, a film historian interview who reflects on the movie (and franchise) two decades after its debut. [Read on here...]

The Mary Tyler Moore Show opened the floodgates for the kind of grown-up TV comedies that would thrive in the 1970s, and beyond. Although Mary’s show had little in common with M*A*S*H, All in the Family, or Barney Miller, it’s hard to imagine any of those breakthrough sitcoms getting a green light had The Mary Tyler Moore not proven to the TV networks that it was possible to attract a sizable audience to intelligent, risk-taking television shows — that good TV was, in fact, a viable business model.” — Vince Waldron, author of The Official Dick Van Dyke Show Book

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the broadcast premiere of The Mary Tyler Moore Show, the Emmy-winning and multi-spinoff-inspiring television series starring Mary Tyler Moore (The Dick Van Dyke Show, Ordinary People) as Mary Richards that ran on CBS from 1970 to 1977.

The series — created by James L. Brooks (Terms of Endearment, Broadcast News) and Allan Burns (A Little Romance, Just Between Friends) and featuring the memorable supporting cast of Edward Asner as Lou Grant, Valerie Harper as Rhoda Morgenstern, Gavin MacLeod as Murray Slaughter, Ted Knight as Ted Baxter, Cloris Leachman as Phyllis Lindstrom, Georgia Engel as Georgette Franklin Baxter, and Betty White as Sue Ann Nivens — premiered 50 years ago, and for the occasion The Bits features a Q&A with a pair of classic television historians who reflect on the series’ appeal, impact and legacy five decades after its debut. [Read on here...]

“It’s heartening to remember now, at a moment of sharp political divisions, how the whole world seemed to hold its collective breath when the three American astronauts were in mortal danger.” — Beverly Gray, author of Ron Howard: From Mayberry to the Moon… and Beyond

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the silver anniversary of the release of Apollo 13, Ron Howard’s popular and award-winning docudrama about the aborted 1970 Apollo 13 lunar expedition starring Tom Hanks (Philadelphia, Forrest Gump) as astronaut Jim Lovell.

Apollo 13 — featuring Kevin Bacon (Footloose, Tremors) as Jack Swigert, Bill Paxton (Aliens, Twister) as Fred Haise, Gary Sinise (Forrest Gump, CSI:NY) as Ken Mattingly, Ed Harris (The Right Stuff, The Abyss) as Gene Kranz, and Kathleen Quinlan (Twilight Zone: The Movie, Breakdown) as Marilyn Lovell — was released twenty-five years ago this summer. For the occasion The Bits features a package of statistics and box-office data that places the movie’s performance in context, along with passages from vintage film reviews, a reference/historical listing of the movie’s IMAX re-release presentations, and, finally, an interview segment with a film historian who reflects on the film two and a half decades after its debut. [Read on here...]

Psycho should be remembered as the gold standard of psychological horror thrillers because it respects the audience by paying as much attention to delivering memorable, relatable characters, smart dialogue, a gripping plot, and emotional punch as well as jump scares.” — Stephen Rebello, author of Alfred Hitchcock and the Making of Psycho

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 60th anniversary of the release of Psycho, Alfred Hitchcock’s popular psychological horror film starring Anthony Perkins as Norman Bates, owner-manager of the Bates Motel.

Psycho, which also starred Vera Miles, John Gavin, Martin Balsam, John McIntire, and Janet Leigh as Marion Crane, was released sixty years ago this month. For the occasion The Bits features a package of statistics and box-office data that places the movie’s performance in context, along with passages from vintage film reviews, a reference/historical listing of the movie’s major-market first-run presentations, and, finally, an interview segment with a film historian who reflects on the film six decades after its debut. [Read on here...]

The Hunt for Red October had a big problem in that the Cold War kind of… ended while they were in post-production. So The Hunt for Red October should have been dated before it even opened — which means that the fact that it not only succeeded at the time, but has endured over the thirty years since, says a lot.” — Eric Lichtenfeld, author of Action Speaks Louder

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of The Hunt for Red October, the Cold War action thriller based upon Tom Clancy’s best-selling novel and which ultimately launched the Jack Ryan franchise.

The Hunt for Red October was directed by John McTiernan (Predator, Die Hard) and starred Sean Connery (James Bond, The Untouchables) and Alec Baldwin (Beetlejuice, Glengarry Glen Ross). [Read on here...]

Patton is the best epic bio pic ever produced.” — Steven Jay Rubin, author of Combat Films: American Realism, 1945-2010

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Patton, the Best Picture-winning biopic of General George S. Patton starring George C. Scott (Dr. Strangelove, The Exorcist III) in the title role.

Patton — directed by Franklin J. Schaffner (Planet of the Apes, Papillon) and which also starred Karl Malden (A Streetcar Named Desire, The Streets of San Francisco TV series) as General Omar N. Bradley — opened 50 years ago this month. For the occasion, The Bits features an historical reference listing of the film’s major-market roadshow engagements and a Q&A with film historian Steven Jay Rubin, who reflects on the film five decades after its debut. [Read on here...]

Hello, Dolly! is a well-dressed dinosaur.” — Matthew Kennedy, author of Roadshow! The Fall of Film Musicals in the 1960s

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the golden anniversary of the release of Hello, Dolly!, the Oscar-winning cinematic adaptation of the Broadway stage musical which starred Barbra Streisand (Funny Girl, Yentl) as singing matchmaker Dolly Levi.

Hello, Dolly! — directed by Gene Kelly (On the Town, Singin’ in the Rain) and which also starred Walter Matthau (The Odd Couple, The Bad News Bears) and Michael Crawford (Condorman, The Phantom of the Opera stage production) — opened 50 years ago this month. For the occasion, The Bits features an historical reference listing of the film’s major-market roadshow engagements and a Q&A with film historian Matthew Kennedy, who discusses the film’s virtues, shortcomings and legacy. [Read on here...]

The Abyss does something that every single Cameron film does: explores new frontiers in the technology of film making. And that’s important.” — Matthew Kapell, editor of The Films of James Cameron: Critical Essays

The Digital Bits and History, Legacy & Showmanship are pleased to present this retrospective commemorating the 30th anniversary of the release of The Abyss, James Cameron’s (The Terminator, Titanic) underwater sci-fi adventure starring Ed Harris (The Right Stuff) and Mary Elizabeth Mastrantonio (The Color of Money).

Also starring Michael Biehn (Aliens) and featuring groundbreaking visual effects, The Abyss opened thirty years ago this past summer. For the occasion The Bits features a package of statistics and box-office data that places the movie’s performance in context, along with passages from vintage film reviews, a reference/historical listing of the movie’s showcase presentations, and, finally, an interview segment with a film historian who reflects on the film three decades after its debut. [Read on here...]

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