Displaying items by tag: Sydney Pollack

We’re starting today with a couple more new disc reviews including...

Stephen’s take on Disney’s new wide-release 4K Ultra HD version of their animated classic Cinderalla (1950), which looks fantastic and bodes well for future Disney 4K titles.

And Dennis’ review of Harry Beaumont’s The Broadway Melody (1929) on Blu-ray from the Warner Archive Collection.

Now then, the big announcement news today is that Sony Pictures Home Entertainment has finally (and officially) set Sydney Pollack’s The Way We Were (1973) for 4K Ultra HD release on 10/17 in a new 50th Anniversary Edition. [Read on here...]

Today’s post is going to be a quick one here at The Bits, but as always we have a few more new disc reviews, and some more good disc release news as well. First the reviews...

Dennis has posted his thoughts on Robert Benton’s Twilight (1998) on Blu-ray from Kino Lorber Studio Classics.

And Stephen has offered his take on León Klimovsky’s The Werewolf Versus the Vampire Woman (1971) in 4K Ultra HD from our friends at Vinegar Syndrome.

Now to the news... Kino Lorber Studio Classics will release Orson Welles’ The Lady from Shanghai (1947) on Blu-ray on 1/31. The company has also set Alexander Hall’s Little Miss Marker (1934) and David Greenwalt’s Secret Admirer (1985) for release on Blu-ray on 3/7. Also announced as “coming soon” to Blu-ray from the company are Rouben Mamoulian’s High, Wide and Handsome (1937) and Dave Thomas’ The Experts (1989).

Cult Epics has set Martin Koolhoven’s AmnesiA (2001) for release on Blu-ray on 4/11/23.

ClassicFlix will release Victor Saville’s The Long Wait (1954) on 4K Ultra HD on 3/21/23. [Read on here...]

All right, obviously we broken some significant news over the weekend, namely that director James Cameron has confirmed to a French reporter (during the PR push for Avatar: The Way of Water) that The Abyss is finally coming to 4K Ultra HD by March of next year. (See our reporting on this yesterday here at The Bits. The director also mentioned The Abyss in an interview with Space.com last year). So rest assured we’ll post more details as soon as we have them.

In the meantime, we have some more great 4K catalog news to share with you today, as well as new disc reviews. So let’s start with the latter first, as always...

On Friday evening, I posted my in-depth review of Phil Tippett’s stunning stop-motion magnum opus Mad God on limited edition Steelbook Blu-ray from the folks at Shudder. The film is just astonishing. It’s really something—definitely not for all tastes, but boy is it something to see.

I also posted my review of the John Krasinski TV actioner Jack Ryan: Season One in 4K Ultra HD from Paramount. Both that and Season Two are being released in UHD in anticipation of the debut of Season Three on Amazon Prime on 12/21. And the picture quality is stunning.

Tim has also reviewed another Amazon Original on Blu-ray from Paramount, specifically Reacher: Season One which also has tremendous image quality. It’s also available in 4K and soon as we have our hands on that (and Jack Ryan: Season Two in 4K), we’ll post the reviews here.

In addition, Tim has reviewed a pair of new Scream Factory 4K Ultra HD titles, including Brian De Palma’s Carrie (1976) and Bob Clark’s Black Christmas (1974).

And I’m not kidding when I say that we have a lot more Blu-ray and 4K UHD reviews coming over the next week or two, so be sure to check back for them. [Read on here...]

(If it can be difficult to remember who won the Academy Award for Best Picture, it’s downright mindbending trying to remember everything else it was up against. In An Honor To Be Nominated, I’ll be taking a look back at some of the movies the Oscar didn’t go to and trying to determine if they were robbed, if the Academy got it right, or if they should ever have been nominated in the first place.) [Read on here...]