My Two Cents
We’ve got more disc reviews for you today, along with another great film retrospective column, a bit more release news, and some news that... well, I’m not sure what to think of it. But you’ll understand what I mean in a minute. First, those disc reviews...
Tim has checked in over the last couple of days with no less than four new reviews, starting with his thoughts on Mei-Chun Chang’s Revenge of the Shogun Women (1982) on Blu-ray from Kino Lorber Studio Classics, a disc that includes both polarized 3D and anaglyph 3D presentations (as well 2D) thanks to our friends at The 3-D Film Archive. It’s a good disc and a rare 3D treat for those who love that format, so do give it a look.
Tim has also reviewed Arrow Video’s Giallo Essentials: Red Edition – Volume One and Yellow Edition – Volume Two, each of which includes three classics of the genre on Blu-ray.
And Tim has posted his thoughts on Brian Trenchard-Smith’s Stunt Rock (1978) on Blu-ray from Umbrella Entertainment (#8 in their Ozploitation Classics line-up) ad well. All are worth your time. [Read on here...]
A funny thing happened on the way to yesterday’s My Two Cents post! For some reason, I lost track of a day this week, so I thought yesterday was Friday. Then I wake up and here’s Friday again, much to my surprise. LOL. So anyway, while a bit of yesterday’s post still applies this afternoon, we’ve got some great breaking release news to share with you all today...
First up, the fine Imprint Films (down in Australia) has just announced their March 2022 Blu-ray slate, which is due to street on 3/30/22. It will include Sam Peckinpah’s The Osterman Weekend (1983 – mastered from new 2K scans of the director’s cut negative and the theatrical cut, so it will include both versions), Buzz Kulik’s The Hunter (1980 – starring Steve McQueen), Samuel Fuller’s China Gate (1957), Byron Haskin’s Conquest of Space (1955 – produced by George Pal), John Sturges’ Marooned (1969), Robert Wise’s Audrey Rose (1977), and Dalton Trumbo’s Johnny Got His Gun (1971). Not bad at all!
As usual, all of these Blu-rays should be region free. You’ll find them available here on the Imprint website.
But here’s the whopper today... Arrow Video has just announced its March 2022 slate as well, which includes no less than three new 4K UHD catalog titles! [Read on here...]
We’re wrapping up the week today with another new disc review, a major piece of announcement news, and some very interesting things to check out around the Interwebs. We’ll start with the review...
Tim has posted his thoughts on Alfred E. Green’s The Fabulous Dorseys: Special Edition, which is newly available on Blu-ray from our friends at The Film Detective. The film is essentially a biopic about big band leaders Jimmy and Tommy Dorsey, staring themselves along with Janet Blair. Do give it a look if you’re interested.
Now then, the big release news today is that Disney Media & Entertainment Distribution and Marvel have just officially announced the 2/15 release of Chloé Zhao’s The Eternals on Blu-ray, DVD, and 4K Ultra HD, with the Digital release expected on 1/12. (Note that I haven’t yet seen any indication of an international Blu-ray 3-D release, but one may appear eventually.)
This film was actually finished as a native 4K Digital Intermediate and should feature HDR10 high dynamic range on UHD, with Dolby Atmos audio (the Blu-ray will feature 7.1 DTS-HD MA). Note that the aspect ratio for both disc and digital on this title will be 2.39:1, though it’s likely to appear as IMAX enhanced at 1.90 as a Disney+ streaming exclusive. Extras will include an audio commentary (with Chloé Zhao, Stephane Ceretti, and Mårten Larsson), 4 deleted scenes, a gag reel, and 2 featurettes (Immortalized and Walks of Life). You can see the cover artwork at left and also below. [Read on here...]
Stephen has just turned in a review of Warren Beatty and Buck Henry’s Heaven Can Wait (1978), Beatty’s first film as a director and an interesting romantic comedy, which is newly available on Blu-ray from Paramount Pictures Home Entertainment.
In terms of announcement news today, Criterion has just revealed its March 2022 release slate, which is set to include Márta Mészáros’s Adoption (1975) (Spine #1115 – Blu-ray and DVD) on 3/8, a new 4K upgrade of Jean-Pierre Melville’s legendary crime drama Le cercle rouge (1970) (Spine #218 – 4K UHD/Blu-ray Combo) on 3/15, Robert Aldrich’s The Flight of the Phoenix (1965) (Spine #1116 – Blu-ray) on 3/22, and Martin Scorsese’s The Last Waltz (Spine #1118 – 4K UHD/Blu-ray Combo and Blu-ray) and Theodore Witcher’s Love Jones (1997) (Spine #1117 – Blu-ray) on 3/29. Both of the 4K titles will include Dolby Vision HDR.
Note that we’ve updated the relevant Criterion Spines Project page here at The Bits accordingly. [Read on here...]
We’ve got more reviews and some great new announcements today as well. As usual, let’s start with the reviews...
I’ve just taken an in-depth look at Orson Welles’ Citizen Kane (1941) with an assist from the late great Bits reviewer Barrie Maxwell. The film is now available in a 4K Ultra HD/Blu-ray Disc combo edition from The Criterion Collection and it’s worth every penny. The package features a terrific new film restoration and a wealth of new and legacy special features. As you know, there’s an issue with the movie Blu-ray in the package, but Criterion is already fixing it and I wouldn’t let that stop you from picking up what is one of the best releases of 2021.
Also today, Stephen has taken a look at Glenn Jordan’s Mass Appeal (1984) on Blu-ray from Code Red, and William Malone’s Creature (1985) on Blu-ray from Vinegar Syndrome.
Tim has checked in with this thoughts on Jeffrey Obrow and Stephen Carpenter’s The Kindred (1987) on Blu-ray from Synapse Films.
And Dennis has offered his thoughts on Jerry Schatzberg’s The Seduction of Joe Tynan (1979) on Blu-ray from Kino Lorber Studio Classics. [Read on here...]