Displaying items by tag: George Pal

We have a quick update for you today, but it includes some good stuff!

First though, more new disc reviews…

Tim has taken a look at Craig R. Baxley’s Stone Cold (1991) in 4K Ultra HD from Kino Lorber Studio Classics.

And Stephen has offered his take on Simon Wincer’s The Phantom (1996) on Blu-ray from Kino Lorber Studio Classics, as well as Leni Riefenstahl’s The Blue Light (1932) on Blu-ray from Kino Classics.

Be sure to watch for more review tomorrow and all this week!

And if you’re interested in what’s coming to 4K Ultra HD in terms of catalog titles later this year, you’re definitely going to want to subscribe to our Digital Bits Patreon page, because we’ve been sharing some good stuff there! And Patreon support has become critical to helping us keep The Digital Bits going, so please do consider it (and thank you to everyone who is already a subscriber)!

Now then, our friends at the Warner Archive Collection have just revealed their May Blu-ray slate, and it includes some real gems. [Read on here...]

As we so often do, we’re starting the new week here at The Bits with more new disc reviews, including…

Tim’s look at Riccardo Freda’s The Ghost (1963) in 4K Ultra HD from Severin Films, as well as Louis Malle’s The Fire Within (1963) on Blu-ray from Umbrella Entertainment.

Stephen’s thoughts on Can Evrenol’s Baskin (2015) in 4K Ultra HD, also from Severin.

Dennis’ take on Kenneth Branagh’s Dead Again (1991) on Blu-ray from Kino Lorber Studio Classics, Bruce Robinson’s Withnail and I (1987) on Blu-ray from Imprint Films, and Olaf Ittenbach’s Garden of Love (2003) on Blu-ray from Unearthed Films.

And finally, Stuart’s reviews of George Marshall’s Hold That Blonde! (1945) on Blu-ray from Kino Lorber Studio Classics, as well as Warner Archive’s Robert Taylor Collection on Blu-ray, which includes Devil’s Doorway (1950), Westward the Women (1951), Ivanhoe (1952), and The Last Hunt (1956).

Watch for more new disc reviews here all this week!

Now then, last night was the Academy Awards, and I think it’s safe to say that there weren’t too many surprises in terms of winners and losers. I was certainly glad to see Autumn Durald Arkapaw become the first woman to win Best Cinematography for Sinners, and to see Michael B. Jordan to win Best Actor for the same film.

While I’m talking Michael B. Jordan, this is a good time to mention that he was great in the very first thing I ever saw him in as well, which was NBC’s Friday Night Lights (2009-2011) TV series. The show is fantastic, and it doesn’t get nearly the love it deserves. If you haven’t seen it yet, I highly recommend it. The series brilliantly chronicles small town life in America, and it’s about a lot more than just high school football (though that part is great too). Do give it a look—I think you’ll really enjoy it. [Read on here...]

As promised, we have more new disc reviews for you to enjoy today, including…

My take on Guy Hamilton’s epic Battle of Britain (1969) in 4K Ultra HD from Imprint Films, as well as Sony’s long-awaited US/Region A Blu-ray edition of Apple TV’s excellent For All Mankind: Season Two (2021).

Stephen’s review of Osgood Perkins’s Keeper (2025) in 4K Ultra HD from Neon and Decal, as well as David Schmoeller’s Tourist Trap (1979) on Blu-ray from Umbrella Entertainment.

Dennis and Tim’s tag team look at Blake Edwards’ A Shot in the Dark (1964) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Dennis’ look at Rudolph Maté’s For the First Time (1959) on Blu-ray from MGM via the Warner Archive Collection.

And Stuart’s thoughts on Gordon Parks’ Leadbelly (1978) on Blu-ray from Paramount via Imprint Films, as well as Géza von Radványi’s Maedchen in Uniform (1958) on Blu-ray from Kino Classics.

Watch more for new disc reviews tomorrow!

Also today, we’ve just posted the latest update of our Release Dates & Artwork section featuring all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon pre-order links. As always, whenever you order literally anything from them after clicking through one of our links first, you’re helping to support our work here at The Bits and we really appreciate it!

Now then… there’s not a lot on the way of announcement news today, but we do have a couple of things for you. [Read on here...]

We’ve got just a couple more reviews for you today to close out the week...

Tim has reviewed both the Blu-ray and DVD versions of DC Studios and Warner Bros. Discovery Home Entertainment’s new Super Friends: The Complete Collection.

Watch for a bunch more new disc reviews next week—the whole team is working on more, including yours truly!

Meanwhile, the big news today is that Arrow Video has just revealed its December Blu-ray and 4K Ultra HD release slate. Look for John Sturges’ The Great Escape (1963) in 4K and Blu-ray (UK only) and the Critters: A Four Course Feast! Blu-ray box set (UK only)—which includes Stephen Herek’s Critters (1986), Mick Garris’ Critters 2: The Main Course (1988), Kristine Peterson’s Critters 3 (1991), and Rupert Harvey’s Critters 4 (1992)—on 12/2, followed by Abel Ferrara’s The Addiction (1995) in 4K (UK, US, and Canada), Marco Brambilla’s Demolition Man (1993) in 4K and Blu-ray (UK, US, and Canada), Kim Jee-woon’s The Good, The Bad, The Weird (2008) in 4K and Blu-ray (UK only), and Cody Kennedy and Tim Rutherford’s The Last Video Store (2023) on Blu-ray (UK and US) all on 12/9. [Read on here...]

All right, here are today’s new disc reviews...

Dennis has taken a look at Joel Schumacher’s 8MM (1999) on Blu-ray from Imprint Films.

Stuart has offered his take on Roberto Gavaldón’s Untouched (1954) on Blu-ray on Powerhouse Films’ Indicator label.

Tim has taken a look at Marcus Nispel’s remake of Friday the 13th (2009) in 4K Ultra HD from Arrow Video. He’s also turned in a review of Lucio Fulci’s Lizard in a Woman’s Skin (1971) on Blu-ray from Umbrella Entertainment.

And last, but certainly not least, Stephen has taken a deep dive into Toho’s Godzilla store-exclusive version of Takashi Yamazaki’s Godzilla Minus One (2023) in 4K Ultra HD!

Also here at The Bits today, we have a brand new update of our Release Dates & Artwork section, which is a convenient way to see all of the new Blu-ray, DVD, and 4K Ultra HD titles that street each week. You can see the cover art, and sort by date and format. And you can click on each of the titles to pre-order them on Amazon.

On that note, I wanted to take a moment to share a challenge we’ve been having of late, which is that our Amazon Affiliate revenue has been declining. For a long time now—for over a decade—our Affiliate revenue has been a big part of helping us to keep The Digital Bits going—to help us cover our server and operating costs. It’s how we’ve been able to keep The Bits free for everyone to read for over 27 years now. In recent months, however, that revenue has begun to decline. We understand that Amazon may not always be the cheapest option these days. So for those of you who still support The Bits by shopping with them through links (in the daily news column, in our disc reviews, in the 4K Ultra HD Release List, and in the Release Dates & Artwork section), we really appreciate it very much! [Read on here...]

We’re thrilled to report this afternoon that we’ve got an update on a major Paramount catalog title that we mentioned here at The Bits earlier today as well as in one of our My Two Cents news posts last week.

The studio will indeed release A George Pal Double Feature of War of the Worlds (1953) and When Worlds Collide (1951) on 9/27 as a Paramount Presents title!

Director Byron Haskin’s original alien invasion classic War of the Worlds will be released in the 2-disc set in physical 4K Ultra HD, while Rudolph Maté’s earlier When Worlds Collide will be included in the package as bonus disc via remastered Blu-ray.

You can see the full cover artwork at left and also below. [Read on here...]

We’ve got some major catalog release news for you today to start the new week off right…

Sony Pictures Home Entertainment has just set Tom Holland’s Fright Night (1985) for release on 4K Ultra HD on 10/4. The release will feature a new 4K scan from the original camera negative, with Dolby Vision HDR and a new Dolby Atmos mix along with the previous 5.1 mix and the original stereo as well.

The title will come a Blu-ray version of the film mastered from the new 4K scan that will feature all-new Deleted Scene Storyboards and the never-before-seen alternate Holland/Beyda Spec Trailer, along with legacy extras that include audio commentary by Holland, actors Chris Sarandon and Jonathan Stark, and filmmaker Tim Sullivan, a second commentary with Holland, actors William Ragsdale and Stephen Geoffreys, FX artist Randall Cook, journalist Jeremy Smith and Tim Sullivan, and 3 featurettes (You’re So Cool, Brewster! The Story of Fright Night, What is Fright Night, and Tom Holland: Writing). [Read on here...]

All right, yesterday was a little crazy here at The Bits, what with Paramount finally dropping their long-awaited Star Trek 4K announcement. That deluxe Complete Adventure 4K package for the Star Trek: The Motion Picture – Director’s Edition was unexpected and frankly a fantastic surprise. But it’s worth a quick follow up today just to clarify everything...

The Star Trek: The Motion Picture – The Director’s Edition: The Complete Adventure Limited Edition is a 3-disc set here in the States that includes the DE in 4K, a newly-authored 4K of the previously-released Theatrical Cut as well as the Special Longer Version (included via seamless branching), and a Blu-ray full of bonus content that I’m told includes basically everything ever created and released for the film on home video. (I’m awaiting confirmation of the exact contents from the studio.) But it does NOT include a Blu-ray of the DE itself, nor are Blu-rays of the Theatrical and SLV versions included. The DE is available separately on Blu-ray, and obviously the Theatrical Cut Blu-ray was included in the original 4-Movie Collection from last year.

To be 100% clear, the Special Longer Version is ONLY going to be available in The Complete Adventure package, and producer David C. Fein has said that it’s a genuine limited edition. Much like Sony’s recent Ghostbusters: Ultimate Collection, it’s very likely to sell out in pre-orders, and it’s NOT going to be re-released. So if you were planning to wait for Black Friday to pick it up at a discount, or you’re expecting some future “ultimate” 4K box that includes the TNG films as well all The Complete Adventure content, you’re likely to be disappointed. The new 4K disc with both the Theatrical Cut and the Special Longer Version on it is exclusive to this set and when they’re gone, they’re gone. Be sure to plan accordingly.

[Editor’s Note: It appears that the UK version of this set MAY be a 5-disc set, which includes the Blu-rays of The Director’s Edition and the Theatrical Cut. And its discs should be all-region.]  [Read on here...]

We have a couple more new disc reviews this afternoon and more release news for you as well. As always, reviews first...

Stephen has checked out a pair of Blu-ray titles today, including Craig Lahiff’s Black and White (2002) from Umbrella Entertainment—another Sunburnt Screens label title—and also Allan Arkush’s Get Crazy (1983) from Kino Lorber Studio Classics. Both are well worth a look, and it sounds like Get Crazy in particular includes a bunch of great bonus content. So enjoy Stephen’s reviews.

Now then, our friends over at The Warner Archive Collection have begun to reveal some great new catalog Blu-ray titles that they’re working on for release in 2022 (they’re listed as “coming soon” at the moment) and the three they’ve mentioned so far are real gems.

First up is Michael Curtiz’s Captains of the Clouds (1942) starring James Cagney. This is mastered from a new 4K scan of the original nitrate Technicolor camera negatives. Extras will include a 1942 Newsreel, the vintage 1942 color WB short Rocky Mountain Big Game, the classic Bugs Bunny cartoons What’s Cookin’, Doc? and Hold the Lion, Please (in HD), and the original theatrical trailer. [Read on here...]

A funny thing happened on the way to yesterday’s My Two Cents post! For some reason, I lost track of a day this week, so I thought yesterday was Friday. Then I wake up and here’s Friday again, much to my surprise. LOL. So anyway, while a bit of yesterday’s post still applies this afternoon, we’ve got some great breaking release news to share with you all today...

First up, the fine Imprint Films (down in Australia) has just announced their March 2022 Blu-ray slate, which is due to street on 3/30/22. It will include Sam Peckinpah’s The Osterman Weekend (1983 – mastered from new 2K scans of the director’s cut negative and the theatrical cut, so it will include both versions), Buzz Kulik’s The Hunter (1980 – starring Steve McQueen), Samuel Fuller’s China Gate (1957), Byron Haskin’s Conquest of Space (1955 – produced by George Pal), John Sturges’ Marooned (1969), Robert Wise’s Audrey Rose (1977), and Dalton Trumbo’s Johnny Got His Gun (1971). Not bad at all!

As usual, all of these Blu-rays should be region free. You’ll find them available here on the Imprint website.

But here’s the whopper today... Arrow Video has just announced its March 2022 slate as well, which includes no less than three new 4K UHD catalog titles! [Read on here...]