Displaying items by tag: Second Sight Films

We’ve got more new disc reviews for you all to enjoy today, including…

Stephen’s take on Ema Tammi’s Five Nights at Freddy’s 2 (2025) in 4K Ultra HD from Universal and also Bill Plympton’s Hair High (2004) on Blu-ray from our friends at Deaf Crocodile Films.

Tim’s review of David Lynch’s Twin Peaks: Fire Walk with Me (1992) in 4K from Criterion.

Dennis’ look at Terry Jones’ Monty Python’s Life of Brian (1979) on Blu-ray from Criterion, as well as Martin Ritt’s Cross Creek (1983) on Blu-ray from Imprint Films.

And finally, Stuart’s thoughts on Raoul Walsh’s Silver River (1948) on Blu-ray from the Warner Archive Collection.

More reviews are forthcoming all this week, so be sure to keep checking back for them!

Now then… in announcement news today, Kino Lorber Studio Classics has revealed that Howard Hawks’ El Dorado (1966) is “coming soon” to 4K Ultra HD. That’s a Paramount Western featuring John Wayne, Robert Mitchum, and James Caan, featuring a screenplay co-written by Leigh Brackett (The Empire Strikes Back) and music by Nelson Riddle (the 1966 Batman). [Read on here...]

Greetings, Bits readers—I hope this finds you all well!

You may have noticed that there have been very few updates here on the site this week, and also that we’ve had a lot of downtime in which the site wasn’t working or was slow to load.

There’s a reason for that, which is that we’ve been the target of relentless scaping by AI companies trying to train their LLMs. We’ve taken steps to prevent it in the past, but they don’t seem to care that when they scrape us, it causes significant disruptions for both us and you as readers. So it looks like we’re going to have to take further steps to prevent this going forward.

In the meantime, we’ve got a lot of ground to cover today, as I haven’t been able to post a news update since Monday due to these disruptions.

We’ll start with disc reviews! We’ve had a bunch for you this week, including…

My looks at Jeannot Szwarc’s Somewhere in Time (1980) in 4K from Kino Lorber Studio Classics, David Lynch’s The Straight Story (1999) in 4K from StudioCanal (a joint review with former Bits staffer Dan Kelly), Michael Crichton’s Westworld (1973) in 4K from Arrow Video, and Ted Lasso: The Richmond Way (2020-23) in 4K from Warner Bros. Home Entertainment.

Tim’s review of Lam Nai-Choi’s The Cat (1991) on Blu-ray from 88 Films.

Dennis’ take on Claude Leloch’s A Man and a Woman (1966) on Blu-ray from the Criterion Collection.

Stuart’s thoughts on Jerzy Skolimowski’s The Lightship (1985) on Blu-ray from Imprint Films and Jeffrey Dell and Roy Boulting’s Man in a Cocked Hat (1959) on Blu-ray from Kino Lorber Studio Classics.

And finally, Stephen’s look at Dario Argento’s The Phantom of the Opera (1998) and Emmett Alston’s Demonwarp (1988) in 4K from Vinegar Syndrome, and Ti West’s The Innkeepers (2011) on Blu-ray from Umbrella and in 4K Ultra HD from Second Sight. Whew!

Now, let’s get to the news that’s broken since our announcement of James Cameron’s Avatar: Fire and Ash on Blu-ray and 4K on Monday… [Read on here...]

Morning, everyone!

Before we get started today, we’ve got a few more new disc reviews to share with you…

I’ve turned in my thoughts on Lewis Gilbert’s You Only Live Twice (1976) in 4K from the MGM’s new Connery Bond 4K set, as well as Akira Kurosawa’s Yojimbo & Sanjuro (1961-62) in 4K from the BFI (a review co-written with Todd Doogan), and also Matt Schrader’s Score: A Film Music Documentary (2016) on Blu-ray from Gravitas Ventures.

Tim has reviewed Bob Clark’s Murder by Decree (1979) on Blu-ray from Kino Lorber Studio Classics.

Dennis has checked in with a look at John Sturges’s Mystery Street (1950) on Blu-ray from the Warner Archive Collection, as well as Bruce Robinson’s Withnail and I (1987) on Blu-ray from Criterion.

And finally, Stephen has offered his take on Shaka King’s Judas and the Black Messiah (2021) in 4K Ultra HD from Warner Bros., as well as Andrei Tarkovsky’s final film The Sacrifice (1986) in 4K from Kino Lorber Studio Classics.

And we’ve got lots more great new reviews planned for posting all next week here at The Bits, so be sure to check back then. [Read on here...]

Afternoon Bits readers! We hope you all had a good weekend—a good long Memorial Day weekend for those of you who live here in the States.

We’ve got some great 4K catalog release news for you here today, but first we have more new disc reviews...

First up, I’ve reviewed Ridley Scott’s Kingdom of Heaven: Director’s Cut (2005) in 4K Ultra HD from 20th Century Studios via Sony Pictures Home Entertainment. It’s a fantastic release that streets on Tuesday. But we know it’s been hard to pre-order, so we’re waiting to hear back from Sony on the demand issue and we’ll let you know when we do. In the meantime, my review is lengthy and in-depth, so enjoy.

Also, Stephen has reviewed David Cronenberg’s The Brood (1979) in 4K Ultra HD from Second Sight Films.

Tim has shared his thoughts on Gordon Flemying’s Dr. Who and the Daleks (1965) in Blu-ray from Severin Films.

And finally, Dennis has offered his take on Roger Kumble’s Just Friends (2005) on Blu-ray from the Warner Archive Collection.

Now then, the big news today is that the Criterion Collection is working on a 10-film Wes Anderson Collection for release later this year! [Read on here...]

We’re closing out the week here at The Bits with a trio of new disc reviews, including...

Tim’s review of Alfred Sole’s Alice, Sweet Alice (1976) in 4K Ultra HD from Arrow Video.

Stephen’s review of Howard Hawks’ Hatari! (1962) in 4K Ultra HD from Kino Lorber Studio Classics.

And Stuart’s review of Bruce Weber’s Let’s Get Lost (1988) on Blu-ray from Kino Classics.

Also today, our friends at Vinegar Syndrome have revealed a number of new March Blu-ray and 4K titles, including Richard Loncraine’s Brimstone & Treacle (1982) in 4K Ultra HD + Blu-ray (with Dolby Vision), a double-feature Blu-ray of Hung-Chuen Lau’s Devil Fetus (1983) and Ngai Choi Lam’s Her Vengeance (1988), Forgotten Gialli: Volume Eight on Blu-ray—which includes Alberto Negrin’s Rings of Fear (1978), Tano Cimarosa’s Reflections in Black (1975), and Demofilo Fidani’s A.A.A. Masseuse, Good-Looking, Offers Her Services (1975)—Miguel Angel Martinez’s 38 Especial (1992) on Blu-ray from Degausser Video, Gene Saks’s Last of the Red Hot Lovers (1972) on Blu-ray from Cinématographe, and Peter Greenaway’s The Belly of an Architect (1987) on Blu-ray from Vinegar Syndrome Labs. All are set to ship later this month. [Read on here...]

We’ve got a new disc review for you all to enjoy today, as well as a much of good announcement news. First the review...

Stephen has taken a look at William Friedkin’s Cruising (1980) in 4K Ultra HD from Arrow Video.

And we’ve posted our weekly update of the Release Dates & Artwork section here at The Bits with all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork and Amazon pre-order links. As always, whenever you order literally anything from Amazon after clicking to them through one of our links (like this one), you’re helping to support our work here at the site and we really appreciate it!

Now then, the big news today is that Warner Bros. Discovery Home Entertainment has officially set the Clint Eastwood films Dirty Harry (1971), The Outlaw Josey Wales (1976), and Pale Rider (1985) for 4K Ultra HD, 4K Steelbook, and Digital release on 4/29 (a slight change from the 4/15 date listed previously on retail sites). Not as if everyone didn’t already know, but the studio’s press release has just confirmed it. As expected, all three will feature Dolby Atmos audio mixes and HDR10 high dynamic range.

In terms of special features, Dirty Harry (1971) will include two new featurettes (Generations and Dirty Harry and Lensing Justice: The Cinematography of Dirty Harry) as well as the following legacy features: Audio Commentary by Richard Schickel, five featurettes (American Masters Career Retrospective: Clint Eastwood: Out of the Shadows, Clint Eastwood: The Man from Malpaso, Clint Eastwood: A Cinematic Legacy – Fighting for Justice, Dirty Harry’s Way, and Dirty Harry: The Original), and an Interview Gallery (featuring Patricia Clarkson, Joel Cox, Clint Eastwood, Hal Holbrook, Evan Kim, John Milius, Ted Post, Andy Robinson, Arnold Schwarzenegger, and Robert Urich).

The Outlaw Josey Wales (1976) will include two new featurettes as well (An Outlaw and an Antihero and The Cinematography of an Outlaw: Crafting Josie Wales) plus the following legacy features: Audio Commentary by Richard Schickel and four featurettes (Clint Eastwood’s West, Eastwood in Action, Hell Hath No Fury: The Making of The Outlaw Josie Wales, and Clint Eastwood: A Cinematic Legacy – Reinventing the West).

And finally, Pale Rider (1985) will include two new featurettes (The Diary of Sydney Penny: Lessons from the Set and Painting the Preacher: Bruce Surtees and Pale Rider) plus three legacy ones (Clint Eastwood: A Cinematic Legacy – Reinventing Westerns, Eastwood Directs: The Untold Story, and The Eastwood Factor). You can see the cover artwork above left and also below the break. [Read on here...]

Cheers, Bits readers! Here’s our latest batch of new disc reviews for today…

Stephen has taken a look at Michael Mann’s The Keep (1983) in 4K Ultra HD from Vinegar Syndrome.

Dennis has reviewed Robert Florey’s The Beast with Five Fingers (1946) and Anthony Mann’s The Tall Target (1951), both on Blu-ray from the Warner Archive Collection.

Stuart has offered his thoughts on Zoltán Korda’s Sahara (1943) on Blu-ray from Indicator and George Seaton’s The Proud and Profane (1956) on Blu-ray from Kino Lorber Studio Classics.

And not to be outdone, Tim has shared his look at Russ Meyer’s Beneath the Valley of the Ultravixens (1979) on Blu-ray from Severn Films.

More reviews are forthcoming, as always, so be sure to keep your eyes peeled for them!

Now then, the big release news today is that Universal has officially set Robert Eggers’ Nosferatu (2024) for release on Blu-ray, DVD, 4K Ultra HD, and 4K Steelbook on 2/18. The Digital version is now available. You can see the cover artwork at left and also below. [Read on here...]

Today’s update will be quick, because we’re all neck-deep in new disc reviews, myself included. I’ve just completed an in-depth look at Richard Donner’s Superman: The Movie, as newly-released in Warner’s Superman: 5-Film Collection in 4K Ultra HD. This a slightly different disc than the version released back in 2018 (and reviewed here) so be sure to check out the new review for all the relevant details.

FYI, I’m going to be working my way through every film in the set. In fact, I was up until 2 AM last night watching Richard Lester’s Superman II and also Superman II: The Richard Donner Cut in 4K Ultra HD back to back. So watch for the next reviews in the series here at The Bits tomorrow.

Meanwhile, Tim has turned in his thoughts on Nick Castle’s The Last Starfighter (1984) in 4K Ultra HD from Arrow Video, along with Norman Jewison’s original Rollerball (1975) in 4K Ultra HD from Scream Factory.

Stuart has taken a look at Frank Tuttle’s Lucky Jordan (1942) on Blu-ray from Kino Lorber Studio Classics.

And Stephen—working jointly with Tim—has offered his take on Tobe Hooper’s The Texas Chain Saw Massacre (1974) again, this time has released in regular and Limited Edition 4K Ultra HD from Second Sight Films in the UK. [Read on here...]

Wednesday afternoon here at The Bits brings new disc reviews and more release news as well...

First, Tim has posted his thoughts on Michael Felsher’s excellent new documentary After Effects: Memories of Pittsburgh Filmmaking, now available on Limited Edition Blu-ray from his own new label, Red Shirt Video. Sounds like it’s a pretty terrific release so do check it out.

By the way, after you enjoy that, here’s a link to an interview I did way back in 2005 (on the original Bits website) with writer/director John Harrison about Effects and his work with Romero and other Pittsburgh filmmakers. (Just pardon the messy formatting.)

Also this afternoon, Stephen has posted reviews of William Beaudine’s The Old Fashioned Way (1934) on Blu-ray from Kino Lorber Studio Classics, as well as Sarah Smith, Jean-Philippe Vine, and Octavio E. Rodriguez’s Ron’s Gone Wrong in 4K Ultra HD from 20th Century Studios.

More reviews are forthcoming in the days ahead, including several that I’m working on, so be sure to keep your eyes peeled for them. [Read on here...]

We’re starting today’s post as always with more new disc reviews...

In anticipation of Zack Snyder’s Justice League (I should have that 4K disc in hand for review sometime in the next few days), I’ve gone back to take a look at the director’s recently-remastered new 4K edition of Batman v Superman: Dawn of Justice – Ultimate Edition which was released in March by the Warner Archive Collection. The disc includes a revised HDR grade and a new variable aspect ratio presentation that includes 1.43 IMAX framing for select scenes. There’s a new commentary with the director as well, so it’s definitely worth a look if you’re a fan of the film.

Also today, I’ve given Gunpowder & Sky’s new US 4K release of the indie sci-fi film Prospect a look (an Ultra HD release that’s being distributed by Vinegar Syndrome). It offers a higher video bitrate than the German 4K release I’ve reviewed previously here, along with newly-produced extras and a nifty little in-universe booklet in the packaging. It’s highly recommended for fans of the film.

And because we’ve been getting a lot of questions about it: Yes, I will be reviewing Paramount and Lucasfilm’s Indiana Jones: 4-Film Collection in 4K Ultra HD. The disc streets next Tuesday, we should have our review copy in hand sometime over the next several days. Rest assured, as soon as we have it, I’ll get that title reviewed here on The Bits post-haste. [Read on here...]