Displaying items by tag: Once Upon a Time in the West 4K

We have a new disc review for all of you to enjoy today here at The Bits...

Our own Tim Salmons has just weighed in on the Warner Archive Collection’s Looney Tunes: Collector’s Choice – Volume 1 Blu-ray, which includes 20 classic animated shorts from 1945 to 1959, among them some real rarities. Tim will be reviewing Volume 2 and Volume 3 on Blu-ray soon as well, so watch for those to follow in the coming days.

We’ve also updated our 4K Ultra HD Release List here at The Bits today with some new titles and Amazon.com pre-order links, so you’ll definitely want to check that out here.

And over on our Patreon page today, I’ve shared a feature entitled Steelbooks (And Why Hollywood Loves Them)! that looks back at the origins and history of Steelbook packaging, and why it’s become so popular with both the Hollywood studios and retailers. This post is free and open to everyone for a couple of reasons.

First, we want to give you all a taste of the kinds of content we’re creating exclusively for our paying supporters on Patreon. And second, we’re going to be running a poll on our Patreon page on behalf of a major Hollywood studio that wants your opinion on a Steelbook project they’re considering. That will appear in the next couple days there and it too will be free and available to all. [Read on here...]

We have six new disc reviews for all of you to enjoy today, including...

Stuart’s look at Denys Arcand’s Dirty Money (1972) and Paul Vecchiali’s The Strangler (1970) both on Blu-ray from Vinegar Syndrome.

Dennis’ take on Norman Jewison’s The Thomas Crown Affair (1968) on Blu-ray from Kino Lorber Studio Classics

And Stephen’s look at Robert Benton’s Kramer vs. Kramer (1979) and Stanley Kramer’s Guess Who’s Coming to Dinner (1967) in 4K from Sony’s Columbia Classics 4K Ultra HD Collection: Volume 4 box set, as well as Michael Mann’s Ferrari (2023) in Blu-ray from Neon via Decal Releasing.

All are well worth a look, so we hope you enjoy them. And more are forthcoming.

Before we get to announcement news today, Amazon has finally made Andor: The Complete First Season and Obi-Wan Kenobi: The Complete Series available for pre-order in 4K Ultra HD Steelbook format. (The Blu-ray Steelbook pre-orders should soon be live as well.) We’ve included the links and cover art below. [Read on here...]

Happy Leap Day, Bits readers! February 29th only comes around once every four years, so enjoy it while you can.

I want to take a moment to thank all of you for your patience. We haven’t done a news update here for a couple days, and the reason is that I’ve been doing a lot more digging about that Disney and Sony physical media distribution deal, and I have in fact learned a little bit more information that will put the deal in better context. So after having a few last conversations with sources tonight, I’ll have a bit more to share on that front in tomorrow’s news update here at The Bits.

In the meantime, we’ve posted a bunch more new disc reviews here at the site as follows...

Dennis has posted his thoughts on Raoul Walsh’s The Roaring Twenties (1939) on Blu-ray from our friends at The Criterion Collection, as well as Ralph Murphy’s The Man in Half Moon Street (1945) on Blu-ray from Imprint, Robin Spry’s One Man (1977) and Elly Kenner and Norman Thaddeus Vane’s The Black Room (1982) on Blu-ray from Vinegar Syndrome, and Damien LeVeck’s A Creature Was Stirring (2023) on Blu-ray from Well Go USA.

Stewart has taken a look at Norman Jewison’s The Russians Are Coming, the Russians Are Coming (1966) on Blu-ray from Kino Lorber Studio Classics, Nigel Cole’s Saving Grace (2000) on Blu-ray from the Warner Archive Collection, and Alan Rudolph’s Mrs. Parker and the Vicious Circle (1994) on Blu-ray from Imprint.

And finally, Stephen has check in with his take on David Cronenberg’s eXistenZ (1999) on 4K Ultra HD from Vinegar Syndrome. All are well worth a look (both the films and the discs). [Read on here...]

Well, yesterday was kind of a big day in terms of industry news, but as it happens, there have been quite a lot of interesting 4K Ultra HD and Blu-ray announcements in the last 24 hours too!

But before we get to those, we have a few more new disc reviews for you...

I’ve just taken a look at John Sturges’ Gunfight at the O.K. Corral (1957) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Ron Maxwell’s cult classic Little Darlings (1980) in 4K UHD from Vinegar Syndrome’s new Cinématographe Films label.

Stephen has turned in his thoughts on Nia DaCosta’s The Marvels (2023) in 4K Ultra HD from Marvel and Disney, along with Yoshimitsu Banno’s Godzilla vs. Hedorah (1971) on 4K UHD (sans English subs) from Toho Studios in Japan.

Dennis has given Ted Kotcheff’s Split Image (1982) a look on Blu-ray from Kino Lorber Studio Classics, along with Vincente Minnelli’s Madame Bovary (1949) on Blu-ray from the Warner Archive Collection.

And Stuart has reviewed Andrew V. McLaglen’s The Devil’s Brigade (1968) on Blu-ray from Kino Lorber Studio Classics and Steve Zaillian’s Searching for Bobby Fischer (1993) on Blu-ray from Imprint Films.

Many more reviews are forthcoming, including Footloose, Conan the Destroyer, and Justice League: Crisis on Infinite Earths – Part One in 4K, so be sure to keep your eyes peeled for them.

Now then... in terns of title announcements, Paramount’s just dropped a couple of big ones starting with confirmation of a title we’ve mentioned here at The Bits recently: Alex Proyas’ The Crow (1994) officially streets on 4K Ultra HD and 4K Steelbook on 5/7. The 4K disc will include Dolby Vision and HDR10 high dynamic range. [Read on here...]

Welcome to the first week of April, everyone!

As you might expect, over the weekend we’ve posted several more new disc reviews for you all to enjoy, including...

My reviews of Jonathan Frakes’ Star Trek: Insurrection (1998) and Stuart Baird’s Star Trek: Nemesis (2002) in 4K Ultra HD from Paramount. That completes my look at all four of the newly-remastered Star Trek: The Next Generation feature films in 4K.

Stuart’s thoughts on Clarence Brown’s Wife vs. Secretary (1936) on Blu-ray from the Warner Archive Collection and Milton Moses Ginsberg’s The Werewolf of Washington (1973) on Blu-ray from Kino Classics.

And last but certainly not least, Stephen’s in-depth review of Wilfred Jackson, Hamilton Luske, and Clyde Geronimi’s original classic animated Cinderella (1950) in 4K Ultra HD from Disney, currently available from the Disney Movie Club, but coming widely later this year.

Key note about Cinderella—it looks like Disney’s actually done this one right, with a stunning 4K remaster that respects the film’s original photochemical production by leaving its line-work, fine detail, and grain structure fully intact! This really bodes well for future 4K animated titles from the studio, and one certainly hopes that all of these original animated classics will be revisited on the format going forward. [Read on here...]

We’ve got some breaking release news to cover today here at The Bits, so let’s get right to it...

Criterion has just announced their new March 2023 titles, and fans of David Lynch should be very pleased. The slate includes a 4K upgrade of Michael Curtiz’s classic noir Mildred Pierce (Spine #860 – 4K + Blu-ray Combo) on 3/7, John Woo’s Last Hurrah for Chivalry (Spine #1174 – Blu-ray only) on 3/14, David Lynch’s long awaited remaster of Inland Empire (Spine #1175 – Blu-ray only) on 3/21, and Joan Micklin Silver’s Chilly Scenes of Winter (Spine #1176 – Blu-ray only) on 3/28.

We’ve been hoping for an actual 4K UHD release of Lynch’s Inland Empire, but like so many of the other Criterion titles that have been remastered in 4K yet released on Blu-ray first (only to be upgraded later), we suspect that an Ultra HD edition will come in time.

Also coming to 4K Ultra HD from Dark Sky Films on 2/28 is Tobe Hooper’s Texas Chain Saw Massacre, with Dolby Vision HDR, Dolby Atmos audio, and a new documentary called The Legacy of the Texas Chain Saw Massacre. [Read on here...]

We start with two more new disc reviews today (and there might be one more from me later this evening, but it should certainly be up by tomorrow morning)...

Tim has reviewed Crane Wilbur’s The Bat (1959), which is available in a fine new Blu-ray edition from our friends at The Film Detective.

And Dennis has offered his thoughts on Lynne Littman’s Testament (1983), a post-apocalyptic drama from PBS’ American Playhouse and Paramount Pictures that includes William Devane, Jane Alexander, Kevin Costner, Rebecca De Mornay, and Lukas Haas. That’s new on Blu-ray from the good folks at Imprint Films.

Now then, the big announcement news today is that Disney has just officially set Don Hall and Qui Nguyen’s animated Strange World for release on Blu-ray, DVD, and 4K Ultra HD on 2/14. Look for the Digital and Disney+ streaming release to happen on 12/23. Audio will be Dolby Atmos on the 4K and DTS-HD MA on Blu-ray, as always. Extras will include 4 featurettes (Anatomy of a Scene: Creating A Strange World, Strange Science, Creature Feature, and The Hidden Secrets of Strange World), outtakes, and 4 deleted scenes (The Ballad of Jaeger Clade, Lightning Lynx, Funerals and Promises, and Ethan and Searcher). You can see the cover artwork at left and also below. [Read on here...]

Today’s My Two Cents update begins as always with more new disc reviews...

Tim and I have taken a look at Kino Lorber Studio Classics’ new 4K Ultra HD upgrade of the classic Joseph Sargent heist thriller The Taking of Pelham One Two Three (1974), which stars Robert Shaw and Walter Matthau. Among other things, it’s a great New York City movie and if you’ve ever wondered where director Quentin Tarantino got the idea for his character names in Reservoir Dogs, look no further.

Also today, we’ve gone in-depth on Via Vision’s new Dirty Dancing: Limited Edition Steelbook 4K Ultra HD release, which takes Lionsgate’s already fine remastering work on the title and adds a few more extras via their own exclusive bonus Blu-ray Disc.

And Tim has also reviewed Bob Clark’s Children Shouldn’t Play with Dead Things: 50th Anniversary Edition in 4K Ultra HD from VCI Entertainment, which includes a new 4K scan and remaster but only Standard Dynamic Range, as well as Nico Mastorakis’s Nightmare at Noon (1988) on Blu-ray from our friends at Arrow Video.

More reviews are on the way tomorrow and beyond, so be sure to watch for them. [Read on here...]

We’re working on new disc reviews here at The Bits at the moment, and we have a few recently-posted ones to catch you all up on today...

I’ve posted my thoughts on Lana Wachowski’s The Matrix Resurrections in 4K Ultra HD from Warner Bros.

Stephen has turned in his review of a Region B Blu-ray double-feature title from All the Anime: Makoto Shinkai’s The Place Promised in Our Early Days and Voices of a Distant Star. Hold that thought for a moment.

Tim has checked in with a look at Christophe Gans’ Silent Hill and Brian Trenchard-Smith’s The Man from Hong Kong on region-free Blu-ray from our friends at Umbrella Entertainment.

And Dennis has offered his take on David Butler’s Lullaby of Broadway (1951) on Blu-ray from The Warner Archive Collection.

I’m also working on a review of Steven Spielberg’s West Side Story on 4K Ultra HD from 20th Century Studios, and I’ve just gotten my hands on Francis Ford Coppola’s The Godfather Trilogy in 4K from Paramount. So be sure to watch for those reviews to get posted over the weekend and early next week. Rest assured, the rest of the team has more new reviews on tap for the coming week as well. [Read on here...]