Displaying items by tag: Steelbook

We’ve got some great release news for you today to start out the new week.

And we’ve also got more new disc reviews for you, so let’s get to the latter first...

Over the weekend, Stephen posted his thoughts on Disney+ and Marvel’s new release of The Falcon and the Winter Soldier: The Complete First Season (2024) in 4K Ultra HD. He’s also given Riccardo Freda’s The Horrible Dr. Hichcock (1962) a review in 4K Ultra HD from Vinegar Syndrome.

Not to be outdone, Tim has reviewed Hanna-Barbera’s animated The Jetsons Meet the Flintstones (1987) on Blu-ray from our friends at the Warner Archive Collection, as well as Paul Leni’s The Cat and the Canary (1927) on Blu-ray from Eureka Entertainment.

Lots more reviews are on the way this week, so be sure to keep your eyes peeled for them!

Now then, in announcement news, let’s start with the big one first... GKids and Shout Factory have officially set Hayao Miyazaki’s animated The Boy and the Heron (2023) for release on Blu-ray + DVD, 4K Ultra HD + Blu-ray, and 4K UHD + BD Steelbook on 7/9! The Digital release expected on 6/25. [Read on here...]

We’re closing out the week here at The Bits with a bunch of release news and more new disc reviews as well. The reviews include...

Tim’s take on Rocky Morton & Annabel Jankel’s Super Mario Bros. (1993) in 4K Ultra HD from Umbrella Entertainment—the deluxe Trust the Fungus edition.

Stuart’s look at Hal Ashby’s Coming Home (1978) on Blu-ray from Kino Lorber Studio Classics, as well as his review of Kino Lorber’s Homicide Hills: The Complete Series on DVD.

And Dennis’ reviews of Frank Lloyd’s Blood on the Sun (1945) and Alfred L. Werker and Anthony Mann’s He Walked by Night (1948), both on Blu-ray also from Kino Lorber Studio Classics.

Also, just to let you know, we’ve been sharing some additional content for our supporters over on Patreon, including essays on Godzilla Minus One’s visual effects Oscar win and the difficulty in creating or evaluating home video transfers for film, along with an exclusive tease about a trio of forthcoming 4K Ultra HD catalog titles that are in the works for later this year, my in-depth film review of Denis Villeneuve’s Dune: Part Two, and a little behind-the-scenes on a visit with some friends of The Bits who just so happen to have been involved with the Star Trek franchise for over 38 years.

Supporting The Bits on Patreon is a really great way to help us keep the site going, and doing so makes it possible for us to continue our work in support of physical media and disc fans everywhere. So please consider joining us there! [Read on here...]

All right, it’s been a busy couple of days here at The Bits in the wake of our reviews of the James Cameron 4K titles—The Abyss, Aliens, and True Lies.

Many of you have reported having trouble getting your pre-orders fulfilled, or have seen shipping dates delayed, whether from Amazon, Walmart, Disney Movie Club, Target, or what have you. This is apparently due to distribution issues resulting from—we strongly suspect—demand for these titles outstripping Disney’s expectations. In any case, more product is being replicated and shipped to distributors and retailers, so these issues should clear up over the next week or two.

Hopefully, this will send a strong message to Disney that people still want to buy catalog 4K titles—a good sign for the future.

Meanwhile, we have one new disc review here at The Bits today: Stephen has taken an in-depth look at Howard Hawks’ His Girl Friday (1940) in 4K Ultra HD from Sony’s new Columbia Classics 4K Collection: Volume 4 box set. More reviews from this set will follow soon.

In announcement news today, Warner Bros. Discovery Home Entertainment has now officially set Steven Soderberg’s Ocean’s Trilogy for 4K UHD release on 4/30. [Read on here...]

Today’s new disc reviews here at The Bits include...

Tim’s look at Richard Fleischer’s Conan the Destroyer (1984) in 4K Ultra HD from Arrow Video, as well as Rospo Pallenberg’s Cutting Class (1989) in 4K Ultra HD from the MVD Rewind Collection.

And Stephen’s thoughts on George P. Cosmatos’ Leviathan (1989) in 4K Ultra HD from MGM via Kino Lorber Studio Classics.

In announcement news today, Warner Bros. Discovery Home Entertainment has officially set Martin Scorsese’s The Departed (2006) for 4K Ultra HD and Digital release on 4/23. The 4K disc will also be available in Steelbook packaging. Extras include the new Guilt and Betrayal: Looking into The Departed featurette, along with the legacy Stranger than Fiction: The True Story of Whitey Bulger, Southie, and The Departed and Crossing Criminal Cultures featurettes, as well as 9 deleted scene with introduction by the director. The press release doesn’t indicate it, but the packaging lists 5.1 DTS-HD Master Audio. Look for HDR10 high dynamic range only. [Read on here...]

Okay, there’s not a ton of news worth reporting today here at The Bits, but we do have a few quick things for you.

As is often the case, we’ll start with some new disc reviews...

Tim has posted his thoughts on Jim Wynorski’s The Return of the Swamp Thing (1989) in 4K Ultra HD from Lightyear Entertainment. He’s also taken a look at Stuart Barge’s Julius Caesar (1970) on regular Blu-ray from Imprint Films.

And Stephen has given David O. Russell’s Amsterdam (2022) a spin on 4K Ultra HD from 20th Century Studios.

More reviews are forthcoming, so be sure to stay tuned for them.

In terms of actual title announcements, Music Box Films has announced that Martika Ramirez Escobar’s Lenor Will Never Die is now available on Digital and is also coming to Blu-ray and DVD on 3/14. [Read on here...]

While we’re waiting for Warner Bros. to announce their Superman: 5-Film Collection 4K release, which we expect to happen anytime now, we’ve got some more release news for you today and a couple new disc reviews as well.

Starting with the reviews, Stephen has taken a look at Patrice Leconte’s Monsieur Hire (1989) on Blu-ray from Cohen Film Collection.

Stephen has also reviewed Dale Fabrigar’s They Crawl Beneath (2022) on Blu-ray from Well Go USA Entertainment.

Now then, back on the topic of Superman 4K for a moment, it’s starting to look as if there will not be 4K singles of the films in the new collection here in the States, but rather simply the box set in deluxe Steelbook and standard Amaray packaging (you can see the Amazon US listings here and here). There are 4K singles available in the UK if you want them (we have them linked in our 4K Ultra HD Release List here at The Bits now, but curiously not Superman: The Movie—just the sequels—which could indicate that the new remaster of Superman: The Movie may be exclusive to the box set for a while. We’ll have to wait for Warner’s official press release to be sure.

As I said, that could drop at anytime, so we’ll be sure to post all the details when it arrives. [Read on here...]

Well, I forgot that today marks the President’s Day holiday here in the States, so it’s unlikely that there will be any major studio announcements today. But we do have some good release news today and more new disc reviews for you as well...

Tim has posted his take on Narciso Ibáñez Serrador’s The House That Screamed (1970) on Blu-ray from Arrow Video.

Dennis has taken a look at Robert Townsend’s Hollywood Shuffle (1987) on Blu-ray from The Criterion Collection.

And Stuart’s offered his thoughts on Mario Monicelli’s Let’s Hope It’s a Girl (1986) on Blu-ray from Raro Video.

Now then, we’ve confirmed with Disney that the wide-release version of their Cinderella (1950) 4K Ultra HD release is coming on 8/1. And we have the official cover artwork for you, which you can see at left and also below the break. But again, this title will be available first from the Disney Movie Club starting on 3/28. [Read on here...]

We just have a couple reviews for you today, plus a few more pieces of release news to close out the week. And it’s starting to seem likely that next week could see a significant announcement or two. But we’ll get to that in a moment. First, those reviews...

Tim has posted two more new disc reviews of titles in Arrow’s great Shawscope: Volume One Blu-ray box set, including Chang Cheh’s Five Shaolin Masters (aka 5 Masters of Death, 1974) and Shaolin Temple (aka Death Chamber, 1976).

As always, we’ve got a lot more reviews on tap for next week, so be sure to check back for them.

Now then, the big announcement news today is that Universal Pictures Home Entertainment has officially set Gerald Johnstone’s M3GAN for release on Blu-ray and DVD on 3/21, with the Digital release expected on 2/24. Unfortunately, there will not be a physical 4K Ultra HD release, at least for now. [Read on here...]

We’ve got no less than four new disc reviews for you today, starting with...

Stephen’s looks at Valerio Zurlini’s Le Soldatesse (1965) on Blu-ray from Kino Lorber and Raro Video, Robert Siodmak’s The Devil Strikes at Night (1957) on Blu-ray from Kino Classics, and Matt Reeves’ Cloverfield: 15th Anniversary Limited Edition in 4K Ultra HD Steelbook from Paramount.

And our old friend Dr. Adam Jahnke and yours truly have taken a look at John Sturges’ classic Western, The Magnificent Seven (1960), coming soon on 4K Ultra HD from Shout! Factory.

Be sure to watch for more new disc reviews over the coming days.

Now then, it seems to be a rather slow day in terms of title announcements and new disc release news, but we do have one interesting item for you... [Read on here...]

Well! Only a few days after sharing your first look at the cover artwork for Paramount’s forthcoming 4K Ultra HD releases of the Star Trek: The Next Generation feature films, we’ve got another piece of Star Trek 4K news to share with you, but this time on the TV front…

Paramount has just officially set Star Trek: Strange New Worlds – Season One for 4K Ultra HD Steelbook release on 5/16!

Keep in mind, Season One of the series is already set to street on Blu-ray and DVD on 3/21. That Blu-ray release is expected to include over 90 minutes of special features.

Among them will be a trio of documentary featurettes (Pike’s Peak, World Building, and Exploring New Worlds), audio commentary on the pilot episode by Anson Mount and Akiva Goldsman, deleted scenes, and a gag reel. [Read on here...]