Displaying items by tag: Imprint Films

All right, we have a few more new disc reviews to share with you this morning, including…

Tim’s thoughts on Guy Magar’s Lookin’ Italian (1994) on Blu-ray from Severin Films.

Dennis’ take on William Richert’s A Night in the Life of Jimmy Reardon (1988) on Blu-ray from Kino Lorber Studio Classics and Shane Meadows’ TwentyFourSeven (1997) on Blu-ray from Imprint Films.

Stephen’s look at Richard Attenborough’s A Bridge Too Far (1977) in Blu-ray from Kino Lorber Studio Classics, as well as Ivan Passer’s Cutter’s Way (1981) in 4K Ultra HD from Radiance Films.

And Stuart’s review of the Warner Archive’s Fred Astaire Collection on Blu-ray, which includes Easter Parade (1948), The Band Wagon (1953), Silk Stockings (1957), and Finian’s Rainbow (1968). Stuart has also reviewed Peter Yates’ Summer Holiday (1963) on Blu-ray from Indicator’s Cliff in Color! box set.

Now then, the big news we want to share with you today is that pre-orders have finally begin for Disney’s Blu-ray and 4K Ultra HD release of James Cameron’s Avatar: Fire and Ash (2026), all of which are set to street on 5/19. [Read on here...]

We’ve got BIG 4K news to cover here at The Bits this afternoon, so let’s get right into it…

First up, reviews! Today we have for you…

Stephen’s look at Delmar Daves’ 3:10 to Yuma (1957) in 4K from Criterion, Hal Ashby’s Being There (1979) on Blu-ray as recently reissued by Warner Bros., and Marcell Jankovics’ Song of the Miraculous Hind (2002) on Blu-ray from our friends at Deaf Crocodile Films. (And we have more Deaf Croc reviews forthcoming!)

Tim’s thoughts on Don Coscarelli’s The Beastmaster (1982) in 4K Ultra HD, both the new release from Imprint Films and also the Scream Factory edition from November of last year.

And Tim has also reviewed the Warner Archive’s new Looney Tunes: Collector’s Vault – Volume 2 (1934-63) on Blu-ray, Guy Magar’s Retribution (1987) in 4K from Severin Films, and he’s tag-teamed with Dennis for a review of Kenneth Branagh’s Dead Again (1991) in 4K Ultra HD from Kino Lorber Studio Classic.

Also here at The Bits today, our own Russell Hammond has just shared the latest update of our Release Dates & Artwork section, featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover art and Amazon pre-order links. Don’t forget, The Bits is an Amazon Affiliate, so literally anything you order after clicking to them from of our links (like this one) goes to help support our work here at the site and we appreciate it!

Now then… the big release news here today is something that those of you who are subscribers to our Patreon site already knew was coming: Disney has just officially announced the classic animated Alice in Wonderland (1951) for 4K Ultra HD release on 5/5! [Read on here...]

Greetings, Bits readers—I hope this finds you all well!

You may have noticed that there have been very few updates here on the site this week, and also that we’ve had a lot of downtime in which the site wasn’t working or was slow to load.

There’s a reason for that, which is that we’ve been the target of relentless scaping by AI companies trying to train their LLMs. We’ve taken steps to prevent it in the past, but they don’t seem to care that when they scrape us, it causes significant disruptions for both us and you as readers. So it looks like we’re going to have to take further steps to prevent this going forward.

In the meantime, we’ve got a lot of ground to cover today, as I haven’t been able to post a news update since Monday due to these disruptions.

We’ll start with disc reviews! We’ve had a bunch for you this week, including…

My looks at Jeannot Szwarc’s Somewhere in Time (1980) in 4K from Kino Lorber Studio Classics, David Lynch’s The Straight Story (1999) in 4K from StudioCanal (a joint review with former Bits staffer Dan Kelly), Michael Crichton’s Westworld (1973) in 4K from Arrow Video, and Ted Lasso: The Richmond Way (2020-23) in 4K from Warner Bros. Home Entertainment.

Tim’s review of Lam Nai-Choi’s The Cat (1991) on Blu-ray from 88 Films.

Dennis’ take on Claude Leloch’s A Man and a Woman (1966) on Blu-ray from the Criterion Collection.

Stuart’s thoughts on Jerzy Skolimowski’s The Lightship (1985) on Blu-ray from Imprint Films and Jeffrey Dell and Roy Boulting’s Man in a Cocked Hat (1959) on Blu-ray from Kino Lorber Studio Classics.

And finally, Stephen’s look at Dario Argento’s The Phantom of the Opera (1998) and Emmett Alston’s Demonwarp (1988) in 4K from Vinegar Syndrome, and Ti West’s The Innkeepers (2011) on Blu-ray from Umbrella and in 4K Ultra HD from Second Sight. Whew!

Now, let’s get to the news that’s broken since our announcement of James Cameron’s Avatar: Fire and Ash on Blu-ray and 4K on Monday… [Read on here...]

All right, as you can see by that headline, we’ve got some big release news for you today! But first, a few more new disc reviews…

Stephen has reviewed William Friedkin’s Jade (1995) in 4K Ultra HD from Imprint Films.

Tim has offered his thoughts on Rod Amateau’s The Garbage Pail Kids Movie (1987) in 4K Ultra HD from Vinegar Syndrome.

And Dennis has shared his perspective on a Jack Benny Comedy Classics double feature of Raoul Walsh’s Artists and Models (1937) and Mark Sandrich’s Man About Town (1939) on Blu-ray from Kino Lorber Studio Classics.

I’ve also got a couple of additional reviews coming tomorrow, so be sure to watch for those.

Now then… you know how lots of people a few weeks ago were saying that if Netflix won the bidding war for Warner Bros. that might mean the end of physical media?

Yeah, maybe not so much.

Not only has Netflix recently let Guillermo del Toro’s Frankenstein and the animated K-Pop Demon Hunters be licensed to Criterion for Blu-ray and 4K release, today we have even bigger news.

Arrow Video just announced on social media that they’re bringing the most popular Netflix Original series of all time—the Duffer Brothers’ Stranger Things: The Complete Series—to Blu-ray and 4K Ultra HD in July (street date 7/28)! [Read on here...]

As we so often do, we’re starting the new week here at The Bits with more new disc reviews, including…

Tim’s look at Riccardo Freda’s The Ghost (1963) in 4K Ultra HD from Severin Films, as well as Louis Malle’s The Fire Within (1963) on Blu-ray from Umbrella Entertainment.

Stephen’s thoughts on Can Evrenol’s Baskin (2015) in 4K Ultra HD, also from Severin.

Dennis’ take on Kenneth Branagh’s Dead Again (1991) on Blu-ray from Kino Lorber Studio Classics, Bruce Robinson’s Withnail and I (1987) on Blu-ray from Imprint Films, and Olaf Ittenbach’s Garden of Love (2003) on Blu-ray from Unearthed Films.

And finally, Stuart’s reviews of George Marshall’s Hold That Blonde! (1945) on Blu-ray from Kino Lorber Studio Classics, as well as Warner Archive’s Robert Taylor Collection on Blu-ray, which includes Devil’s Doorway (1950), Westward the Women (1951), Ivanhoe (1952), and The Last Hunt (1956).

Watch for more new disc reviews here all this week!

Now then, last night was the Academy Awards, and I think it’s safe to say that there weren’t too many surprises in terms of winners and losers. I was certainly glad to see Autumn Durald Arkapaw become the first woman to win Best Cinematography for Sinners, and to see Michael B. Jordan to win Best Actor for the same film.

While I’m talking Michael B. Jordan, this is a good time to mention that he was great in the very first thing I ever saw him in as well, which was NBC’s Friday Night Lights (2009-2011) TV series. The show is fantastic, and it doesn’t get nearly the love it deserves. If you haven’t seen it yet, I highly recommend it. The series brilliantly chronicles small town life in America, and it’s about a lot more than just high school football (though that part is great too). Do give it a look—I think you’ll really enjoy it. [Read on here...]

As promised, we have more new disc reviews for you to enjoy today, including…

My take on Guy Hamilton’s epic Battle of Britain (1969) in 4K Ultra HD from Imprint Films, as well as Sony’s long-awaited US/Region A Blu-ray edition of Apple TV’s excellent For All Mankind: Season Two (2021).

Stephen’s review of Osgood Perkins’s Keeper (2025) in 4K Ultra HD from Neon and Decal, as well as David Schmoeller’s Tourist Trap (1979) on Blu-ray from Umbrella Entertainment.

Dennis and Tim’s tag team look at Blake Edwards’ A Shot in the Dark (1964) in 4K Ultra HD from Kino Lorber Studio Classics, as well as Dennis’ look at Rudolph Maté’s For the First Time (1959) on Blu-ray from MGM via the Warner Archive Collection.

And Stuart’s thoughts on Gordon Parks’ Leadbelly (1978) on Blu-ray from Paramount via Imprint Films, as well as Géza von Radványi’s Maedchen in Uniform (1958) on Blu-ray from Kino Classics.

Watch more for new disc reviews tomorrow!

Also today, we’ve just posted the latest update of our Release Dates & Artwork section featuring all the latest Blu-ray, DVD, and 4K UHD cover art and Amazon pre-order links. As always, whenever you order literally anything from them after clicking through one of our links first, you’re helping to support our work here at The Bits and we really appreciate it!

Now then… there’s not a lot on the way of announcement news today, but we do have a couple of things for you. [Read on here...]

I wanted to do something a little different here at The Bits today.

This being a Friday afternoon, and with the recent passing of Robert Duvall much on my mind, I wanted to call your attention to a film that I think features one of his finest performances.

But the sad reality is, thanks to studio apathy and/or a dispute between the film’s director and distributors (as reported here back in 2019), some of you may not even be aware of it.

First though, a bit of regular site business: We’ve got three more new disc reviews for you to enjoy here at the site today, including…

Dennis’ look at Don Siegel’s The Verdict (1946) on Blu-ray from our friends at the Warner Archive Collection.

Stuart’s thoughts on Mabel Cheung’s An Autumn’s Tale (1987) on Blu-ray from Imprint Asia and Via Vision.

And finally, Tim’s review of Roy Ward Baker’s Scars of Dracula (1970) in 4K Ultra HD from Hammer Films via the good folks at Kino Lorber Studio Classics.

More reviews are on the way for next week (including one or two from yours truly), so be sure to check back for them.

All right… with that aside, let me tell you about a little gem of a film called Open Range (2003).

Based on the 1990 Western novel The Open Range Men by Lauran Paine, and featuring a screenplay by Craig Storper, this Kevin Costner-directed project was both a critical and box office success, if a modest one, and it currently holds a respectable 79% critics score on Rotten Tomatoes (with an audience rating of 84%). [Read on here...]

All right, we’ve got some big—and excellent—4K Ultra HD catalog news for you here at The Bits today, but first let’s knock out a few new disc reviews…

Stephen has taken a look at Jean-Jacques Beineix’s Diva (1981) on Blu-ray from Kino Lorber Studio Classics.

Stuart has offered his thoughts on W.S. Van Dyke’s I Love You Again (1940) on Blu-ray from the Warner Archive Collection, Garry Marshall’s Frankie and Johnny (1991) on Blu-ray from Imprint Films and Via Vision, and Howard Bretherton’s Hopalong Cassidy: The Legacy Collection – Volume 1 (1935) on Blu-ray from Paramount via ClassicFlix.

And Dennis has shared his take on Blake Edwards’ A Shot in the Dark (1964) on Blu-ray from Kino Lorber Studio Classics and Don Weis’ I Love Melvin (1953) on Blu-ray from the Warner Archive Collection.

More reviews are forthcoming, so be sure to check back for them!

Now then, let’s get right to the good stuff… 20th Century Studios has finally announced the 4K Ultra HD + Blu-ray release of David Fincher’s Fight Club (1999) on 5/12! [Read on here...]

Cheers, Bits readers!

We’ve got one last My Two Cents update for you this week with some great new disc reviews, as well as some great new Blu-ray and 4K Ultra HD release news. Let’s hit those reviews first…

I’ve just updated our dear late friend Barrie Maxwell’s review of William Wyler’s Ben-Hur (1959) to cover Warner’s stunning new 4K Ultra HD restoration of the film, which streets next week. It’s truly one of the great classic film presentations we’ve seen on this format to date, and certainly not to be missed.

Dennis and Tim have checked in with thoughts on a pair of Agatha Christie film adaptations in 4K Ultra HD from Kino Lorber Studio Classics, including John Guillerman’s Death on the Nile (1978) and Guy Hamilton’s The Mirror Crack’d (1980).

Dennis has also reviewed Michael Winner’s The Mechanic (1972) and Antonia Bird’s Priest (1994) on Blu-ray from Kino Lorber Studio Classics and Imprint, respectively.

Tim has posted his own reviews of Alberto Cavalcanti, Charles Crichton, Basil Dearden, Robert Hamer’s Dead of Night (1945) anthology on Blu-ray from KLSC as well as Chor Yuen’s The Jade Tiger (1977) from Arrow’s Shawscope: Volume 3 Blu-ray box.

Stephen has reviewed Emma Seligman’s Bottoms (2023) on Blu-ray from KLSC.

And Stuart has taken a look at Hideo Gosha’s Gate of Flesh (1988) on Blu-ray from Toei via 88 Films.

We have lots more great 4K reviews cooking for next week as well, believe me.

Also here at The Bits today, we’ve posted an update of our Release Dates & Artwork section featuring all the latest Blu-ray, DVD, and 4K Ultra HD cover artwork with Amazon pre-order links. As always, whenever you order anything after clicking to Amazon though one of our links (like this one) you’re helping to support our work here at the site and we appreciate it!

Now then, first things first: Our retail and industry sources have informed us that Warner Bros. Discovery Home Entertainment’s much anticipated 4K Ultra HD release of the Wachowski’s Speed Racer (2008) should street on or about 5/19. So adjust your plans accordingly. Go Speed Go!

Of course, the big news today is that our friends at the Criterion Collection have just unveiled their May slate of Blu-ray and 4K titles. And any slate that includes more Kurosawa in 4K UHD is a good one. [Read on here...]

We’ve got a bunch of new disc reviews to share with you today here at The Bits, including…

My tag-team review (with Tim Salmons) of John Boorman’s Arthurian epic Excalibur (1981) in a long-awaited 4K Ultra HD release from Arrow Video.

Stephen’s thoughts on Jonathan Demme’s Married to the Mob (1988), Rachel Talalay’s Tank Girl (1995), and Satoshi Kon’s Perfect Blue (1997) each in 4K Ultra HD, from Cinématographe via Vinegar Syndrome, Vinegar Syndrome, and GKIDS via Shout! Studios, respectively.

Dennis’ look at Blake Edwards’ The Pink Panther (1963) in 4K Ultra HD from Kino Lorber Studio Classics.

And finally it’s back to Tim again for his thoughts on Jim Abrahams, David Zucker, and Jerry Zucker’s Top Secret! (1984) in 4K UHD from Paramount.

More reviews are coming this week, so definitely be sure to check back for them.

Now then… we’ve got a bunch of great announcement news to cover here today as well!

We’ll start with official word that Lionsgate is distributing Quentin Tarantino’s Kill Bill: The Whole Bloody Affair widely on Digital next week, on 2/17. In fact, you can find it available for pre-order on Apple TV right now. We’re told the Blu-ray and 4K Ultra HD physical release is coming later this year from Lionsgate.

A24 has just announced that Josh Safdie’s Best Picture-nominated film Marty Supreme (2025) is coming soon to Blu-ray and 4K Ultra HD. [Read on here...]